Lowther Pavilion for a very special evening...
Jack Dee
27th October 2009
7.00pm for 7.30pm
Signing his newly released Autobiography
Thanks for Nothing
Jack will be giving
A talk followed by
a question and answer session
and will sign and personalise copies of his new book
Ticket £20.00 each
Price includes a copy of the book
For more information contact SilverDell
on
01772 683 444
or
info@silverdellbooks.com
For the first time, comedian Jack Dee reveals the highs and lows of his early life and disastrous day jobs. You don't just wake up jaundiced and bitter; it's taken Jack years of dedication and commitment to brew his unique cocktail of disillusionment and bile. What turned this once optimistic young man into a grumpy middle-aged git? Was it working in an artificial-leg factory? Or delivering incontinence pads for the NHS? Or was it the time when he was shunned by his peers for daring to thrash a one-armed man at tennis? In this hilariously frank account of his life, Jack finally answers the question, 'So how did you get started in comedy then'? Along the way, he shares his blatantly unreasonable views on everything from personal trainers to boutique hotels, via the overrated moon landing and 'people who hold their cutlery the wrong way'.
Dont miss out and book your tickets now !
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Related Videos :below I show related videos and not so related to this article.
Hey !! Almost 200k views, keep em coming !!
I hope you enjoy this song, Go On Acoustic version by Jack Johnson.
Credits To Jack and his band !!
"Dead Leaves and the Dirty Ground" is a single by "The White Stripes" from their album "White Blood Cells". It was released in August 2002. The song features a very raw guitar tone produced by an Electro-Harmonix Big Muff Pi. In 2006, a cover of the song appeared on Chris Thile's album How to Grow a Woman from the Ground. Jack White originally planned for this song to be much softer and done with an acoustic guitar.
The video for this song, directed by Michel Gondry, depicts Jack coming back to his (and Meg's) trashed house and surveying the destruction. While he goes from room to room, video of the party that led to the destruction, and of his and Meg's relationship before he left, is projected and occasionally super-imposed over the scene.
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